The Chorus

The chap calls himself DB. I don’t know him. I have never met him, either. But I’ll never forget the moment I sat up and took notice of him. The moment that I knew I loved his music and that he was a different kind of musician. Granted, we both got out of the old country during our younger years and bounced around the globe to settle on the other side of the pond. DB’s music is multi-layered which is reflective of the depth and breadth of his interests and observations. The first time I listened to one of his pieces, it sounded like another house mix. And it was all in the middle of a crowded and pretentious lounge. But then, the mix went on to include one of the songs from Les Choristes soundtrack.

Les Choristes (The Chorus) is a low-budget movie about a dark, doom-filled school for troubled boys where hope is in short supply. A good-natured new teacher who’s a struggling musician, arrives. Only to find himself surrounded by juvenile thieves, chronic liars, unapologetic rebels, and lost souls. The teacher introduces these supposedly hard-core delinquents to something they’ve never experienced before: the joy of music. He then discovers there is far more to these children than anyone ever believed. The teacher helps recover their souls.

The construct of every piece of music covers rhythm where you can easily hear the downbeat, melody as the element for the notes, and the harmony: the vertical sound of music. But there is another captivating element that’s often neglected: The story.

You love the music you love, for the reasons pertinent to you. But you’ll love it even more when you know the story. The analysis of the construct of music will never trump feelings that it infers -because that’s not what music is about. The way a song moves us is ultimately what makes music lovers come back for more. It’s practically addictive. But the more you understand how the musician manipulates the fundamental elements of music, you get a peek behind the journey.

Until the New Normal

We tell stories to make sense of the world and our lives. We make stories because we want them mean something to us. A good story has to do with describing a journey. All good stories have a character that has to change.

In that way, we are all intellectually simple in that we do like a beginning, a middle and end. A beginning which is normal. The middle, which is the change and challenge. And the end, which is the new normal. Underlying songs during the change and challenge help forming the new normal. So here are a few songs …

– Banshee, Kendra Morris
– A Shadow, n*grandjean
– Raggamuffin, Selah Sue
– J’me Tire, Maitre Gims

… until the new normal, when I won’t listen to these anymore.

In the Sun (Joseph Arthur)

 
I picture you in the sun wondering what went wrong
And falling down on your knees asking for sympathy
And being caught in between all you wish for and all you seen
And trying to find anything you can feel that you can believe in

I know I would apologize if I could see your eyes
cause when you showed me myself I became someone else
But I was caught in between all you wish for and all you need
I picture you fast asleep
A nightmare comes
You can’t keep awake

cause if I find
If I find my own way
How much will I find
If I find
If I find my own way
How much will I find
You

I don’t know anymore
What it’s for
I’m not even sure
If there is anyone who is in the sun
Will you help me to understand
cause I been caught in between all I wish for and all I need
Maybe you’re not even sure what it’s for
Any more than me